Then, in 1954, psychologist Frederic Wertham published Seduction of the Innocent, a book that accused comics of being directly responsible for juvenile delinquency. This period between the Golden Age and Silver Age of comics is known as “The Interregnum”, and arguably remains to this day the lowest point of superheroes. They began to be replaced by other genres, such as horror and westerns, and slowly vanished off the shelves. The Silver Age of Comicsīy the early 50’s, the popularity of superheroes had waned due to the end of World War II taking away the majority of enemies for heroes to fight, as well as creating a general antipathy towards fighting. However, these two manga (Japanese comics) both use them as backdrops for their unique settings and plotlines, and do so by travelling back to the Silver Age of comics, an era that, funnily enough, is not remembered very fondly. With a few exceptions, American superhero comics are not nearly as popular in the east as they are in the west, due to the lack of translations. On top of that, they come from the most unlikely of places: Japan. However, recently, there have been two works that choose to forgo this attitude and reach back into the Silver Age of comic books for their aesthetic, and do so in entirely different ways. To some, this may be a good thing: the mid-50’s to early 70’s were not the best time for superheroes. In all this celebration for the recent history of comics, however, the older era has been largely forgotten. This can largely be attributed to the smash success of the Marvel Cinematic Universe, who owe their influences to more recent decades of superhero comics, causing other recent superhero movies to follow the trend and look to the 80’s onward for inspiration. My Hero Academia: Reconstructing the Silver Age of ComicsĮven though they were never really unpopular, superheroes have received a resurgence in popularity in recent years.
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